Carter was born in England during WWII, and she was evacuated from her home as a child to live with her grandmother in Yorkshire. She struggled with anorexia throughout her teenage years.
After high school Carter began working as a journalist, and then studied English literature at the University of Bristol. She won the Somerset Maugham Award in 1969 and used the proceeds to leave her husband (Paul Carter) and move to Tokyo. There she developed her more radical feminist ideas and gathered material for her books. She wrote many novels, short story collections, and essays during her career, but is best known for The Bloody Chamber and her essay The Sadeian Woman and the Ideology of Pornography.
In 1977 Carter married Mark Pearce and they had one son together. She died of lung cancer at age fifty-one, and is still considered one of the most influential British novelists of the century.
The stories of The Bloody Chamber take place in a vague, mythical past, but at the same time some are linked to concrete historical events of the 20th century and all have a “modern” tone. “The Lady of the House of Love” references World War I, and takes place in a more “innocent” Europe before the war begins. Carter’s writings have been seen as part of the feminist movement in Britain, as she subverts the ancient fairy tales to give her female protagonists more agency and sympathy. Her acceptance of the works of the Marquis de Sade was more radical than most feminist thinkers of her time, however.
. Timeline summary of the werewolf in history, folklore and literature; includes links. With origins and myths, an entertainment oriented blog based on fact, fiction, and discussion; film transformation videos. Facts about werewolves and lycanthropy taken from legends, psychology and fiction. Descriptions of the Cajun werewolf of Louisiana and Native American skinwalkers from both folkloric and cryptozoology perspectives.
A scholarly analysis of the werewolf as a symbol in myth and fiction. A site dedicated to gay, lesbian, bisexual and transgendered werewolves and shape-changers. Contains book and movie reviews, stories, chat and more. Full text of Sabine Baring-Gould's classic at the Project Gutenberg available in plain text, html or zipped versions. Sabine Baring-Gould's 1865 classic book on werewolves, including page and chapter index but not all illustrations. A collection of resources pertaining to legend of the werewolf, including information on fiction and popular culture.
Resources describing myths, modern sightings, fiction and speculations about real werewolves. Terminology and etymology relating to werewolf and animal transformation mythology, including explanations of scholarly terms, usage of slang by modern subcultures. Brief information and reflections on werewolves.
A collection of traditional folk tales, including some from Croatia, Luxembourg and Slovakia. International folklore, beliefs and modern influences, depictions in fiction and games, comparisons to vampires. Exploring truths and myths around werewolf legends from scientific point of view. Discusses varieties of transformation, famous characters in mythology and the fan community.
Encyclopedia article on werewolves, including sections on international history and origins, science and fiction. Looking at the how the werewolf has been interpreted by anthropologists, psychologists and criminologists, the author explores the werewolf's appearance across a number of popular forms, from film to graphic novels. The author looks at the roots of the myth and at its appearance in Gothic horror, at ideas of 'the beast within' and Freud's 'wolf-man' to representations of criminality, wolf imagery in Nazism, the 'body horror' films of the 1980s and finally, to the werewolf's revival in contemporary fantasy. Long before the political mass-murders witnessed in the present century, western Europe experienced another kind of holocaust - the witch-hunts of the early modern period. Condemned of flying through the air, changing into animals, and worshipping the Devil, over a hundred thousand people were brutally tortured, systematically maimed and burned alive. Why did these persecutions take place? Was it superstition, irrationality, or mass delusion that led to the witch-hunts?
This study seeks explanations in the tangible actions of human actors and their worldly circumstances. The approach taken is anthropological; inferences are grounded on a wide spectrum of variables, ranging from the political and ideological practices used to mystify earthly affairs, to the logical structure of witch-beliefs, torture technology, and the role of psychotropic drugs and epidemic diseases. The first look at the philosophy behind Stephenie Meyer's bestselling Twilight series Bella and Edward, and their family and friends, have faced countless dangers and philosophical dilemmas in Stephenie Meyer's Twilight novels. This book is the first to explore them, drawing on the wisdom of philosophical heavyweights to answer essential questions such as: What do the struggles of 'vegetarian' vampires who control their biological urge for human blood say about free will? Are vampires morally absolved if they kill only animals and not people? From a feminist perspective, is Edward a romantic hero or is he just a stalker? Is Jacob 'better' for Bella than Edward?
As absorbing as the Meyer novels themselves, Twilight and Philosophy:. Gives you a new perspective on Twilight characters, storylines, and themes.
Helps you gain fresh insights into the Twilight novels and movies. Features an irresistible combination of vampires, romance, and philosophy Twilight and Philosophy is a must-have companion for every Twilight fan, whether you're new to the series or have followed it since the beginning. They look like werewolves, but are they? They stand six-feet tall, are covered in fur, and possess both a wolf-like head and the ability to walk upright.
Whatever one chooses to call them werewolf, dogman or manwolf an astonishing number of witnesses across the U.S.A. Have encountered these creatures on roadsides, in the woods, and near their own homes. They swear the unknown canines are as menacing as they are real. And if these creatures aren't werewolves, what could they be? In her third book about this continuing mystery, author and investigator Linda Godfrey takes readers on a state-by-state creature hunt, exploring many new and shocking reports and leaving no bone unturned in her search for the beast's true nature. Bringing together scholars from Europe, America, and Australia, this volume explores the more fantastic elements of popular religious belief: ghosts, werewolves, spiritualism, animism, and of course, witchcraft. These traditional religious belief and practices are frequently treated as marginal in more synthetic studies of witchcraft and popular religion, yet Protestants and Catholics alike saw ghosts, imps, werewolves, and other supernatural entities as populating their world.
Embedded within notarial and trial records are accounts that reveal the integration of folkloric and theological elements in early modern spirituality. Drawing from extensive archival research, the contributors argue for the integration of such beliefs into our understanding of late medieval and early modern Europe. The four studies in this book center on the Western obsession with the nature of personal identity. Focusing on the twelfth and thirteenth centuries, but with an eye toward antiquity and the present, Caroline Walker Bynum explores the themes of metamorphosis and hybridity in genres ranging from poetry, folktales, and miracle collections to scholastic theology, devotional treatises, and works of natural philosophy. She argues that the obsession with boundary-crossing and otherness was an effort to delineate nature's regularities and to establish a strong sense of personal identity, extending even beyond the grave. She examines historical figures such as Marie de France, Gerald of Wales, Bernard Clairvaux, Thomas Aquinas, and Dante, as well as modern fabulists such as Angela Carter, as examples of solutions to the perennial question of how the individual can both change and remain constant. Addressing the fundamental question for historians-that of change-Bynum also explores the nature of history writing itself.