Contents. Boudoir photography is a niche within portrait photography. It consists of a mash-up of portraiture, fashion, fine art, glamour and erotic photography. The word boudoir comes from French. A boudoir was an area where the woman could have time to herself. This area, depending on the budget could be a whole room or separated by a room divider. Boudoir photography is a new trend that has grown to be quite popular in recent years.
But the style itself has been around since the 1940s. There are typically a few reasons why people have photographs of themselves made. Either it is to give people the prints as presents, such as family or baby photography sessions. Or it could be to document a time in someone’s life, such as a graduation or a wedding. When it comes to boudoir photography, it is a more sensual, intimate look at a person.
Focusing on their mood, their clothing and the landscape of their body. The clients are most commonly women, but male boudoir photography also exists. People are looking for these kinds of photos of themselves to keep and look upon as time goes. They might even give them to a partner to reaffirm their connection and sensuality. They could be a precursor to a wedding, which is typically one photographic theme that boudoir concentrates on. The photographs aim to appear candid and unposed.
The style is playful and provocative. It enables those photographed to give off a strong presence where nudity is implied yet rarely shown. Yet they still require (varying degrees of) posing, composition and lighting patterns. Our Complete Guide to Boudoir Photography will take you through everything you need to know to get started with this photographic genre or to refresh your existing knowledge.
Boudoir Camera Equipment How to go about photographing boudoir starts with your camera gear. What camera equipment do I need? How many lenses?
Do I need a different camera or new lenses? Well, this all depends on what you have and what you want to get from your photography. Having a DSLR, a prime and a zoom lens will get you great shots. Especially if you can use a few lighting and compositional techniques. Also, posing ideas from research is also a must.
When it comes to boudoir or portrait photography, there is no standard of what you should use. You can use a DSLR with a full or cropped frame, or even a mirrorless system. They all have their benefits and drawbacks.
It only matters what you want to use the camera for, and what you want to achieve. The next thing you need to consider is your budget. Having a better lens for your medium level DSLR might get you much more content. Buying an expensive camera body and having to buy a cheaper lens might not be the way to go.
If you are comfortable with a mirrorless system like the FujiFilm Series, and you know it inside out – keep it. That’s already half the battle won. Lens Recommendations Lenses are almost if not more important than the camera body. If your lenses are producing low quality, blurred photographs, there is nothing your camera body can do about it.
The lens is where you can control the light, by using the exposure triangle. They also help you work with movement and more importantly depth of field. The Fujinon 35mm f/2 prime lens with the Fujifilm X-Pro 2 is a great piece of glass. It comes in wider than the 50mm standard prime lens, which gives you more of the scene. The f/2 is great for low light conditions but doesn’t create hyper-sharpness in your image It works very quietly, which is perfect for this intimate form of portraiture. It is less distracting for the model and helps keep the mood.
This lens also has distance on its side; it’s not too close and not too far away. It creates a gap that isn’t in your face, but close enough to keep that relationship with the subject. A 50mm lens or ‘nifty fifty’ is a go-to standard prime lens.
The reason for this is that it’s very easy to work with. There is little to no distortion, it’s very fast and produces sharp photographs.
This lens is more of an environmental portrait lens. Capturing the subject in their environment and setting, rather than a tight portrait. They might already be very nervous about their boudoir shoot, so this is a good choice. This lens is a great choice for most types of photography.
As a zoom lens, it has a range of 24-70mm. It allows you to get close to the subject, from photographing close to photographing from afar. The keyword here is versatility. This lens is a workhorse and offers you a huge scale of portraits, from full body to headshots. The article here suggests that this lens is the only one that you will need for boudoir photography. This is for many reasons.
Changing lenses takes time which can add to the models’ agitation. This also means less time needed photographing a subject who is becoming less and less comfortable. PC lenses were developed for use with architecture, interior and still-life photography. What is to say you can’t use them in other areas? As photographers, we often need to break rules to create something new and interesting.
These lenses allow you to not only focus horizontally but vertically too. This means that instead of a focus line, you get a focus spot. This can really help you highlight a specific area of the model, and push everything else out into a dreamy soft focus. Viewers are really shown where to look, and what not to be distracted. These lenses are expensive and they will need more tinkering with on the shoot, so both the subject and photographer need some patience. But this can be an interesting and uncommon way to shoot boudoir photography. Dan Howell Accessories Ok, so you have your subject arriving, how do you make sure you are well prepared?
You might have all the camera and studio equipment sorted. All your batteries charged and the props ready. But what else can your photo shoot benefit from?
Look outside the scope of just your work tools. These men and women will be using makeup, such as foundation and nail polish. Having something to clean nails or faces for after is a great idea.
Have you thought about snacks and water? Music is a great way to help people feel comfortable, so have something available that the client can use. Both WiFi and external cable ensures you have all of your bases covered. These are just a few ways you can make the experience more comfortable for both you and your model. As the photographer, it is your job to make the model feel at ease. Not just with your speech and body language, but with the environment.
This is where other objects, other than clothing, are not just important, but necessary. A fan or hair dryer is a great addition. Not only to add depth and interest to hair or material but to keep the model warm. You will find that scantily-clad women (or men) will enjoy the shoot a lot more. To add interest and that sexy elegance to the images, use jewellery. Necklaces, for example, bring attention to the neckline and earrings elongate the neck. This article goes through a few other things your photographs will benefit from.
Michelle Ford Boudoir Posing and Composition Boudoir photography is not a genre, it is an approach. An approach to intimate portraiture that can be sensual and racy.
It involves lots of research and a fair amount of customer service. On top of this, marketing, communication and post-processing are also necessary. It is a multi-faceted area of photography that is very easy to get wrong. When it goes well, you can create stunning images, when it goes wrong, the images can look cheap and cheesy.
There is a thin line between boudoir and glamour photography. They both involve men or women wearing the least amount of clothing. Intensive lighting set-ups and stylish settings. Yet, glamour photography captures models, who are usually in their 20’s. They also work on their physique and have been photographed thousands of times. Boudoir photography is very different. Here we are capturing what a man or woman like about themselves.
The models here are real people, where the images, in all likeliness, won’t end up in a magazine. They may have never posed in front of a camera before, let alone in intimate appeal and may be very nervous. This article looks at this thin line, which will give you a deeper insight into boudoir photography. Jennifer Tallerico The camera settings should be similar if not the same for any portrait shoot. You won’t be doing any time-lapses or long exposures, so do not lower your shutter speed below 1/200.
This will cut out any possible mirror shake or slight movement. It is also a great speed to sync with your lighting equipment. Here, you need to focus on aperture and ISO. Depending on if you are using natural light or studio lights, you will have a range that will allow a correct exposure. With studio lights, you can increase and decrease the power, giving you as much light as you need. This will help keep your ISO low for better quality and detail.
Natural light is what it is. Overcast weather will push up your ISO and sunshine will bring it down. The aperture should be around f/8-16 to keep the model in focus but separate them from the background. Read more about camera settings in our article.
Making her (or him) comfortable at the photo shoot is paramount. Their body language and expressions scream their mood. If they feel out-of-place or nervous you will see it in the photographs. Communication is very important, but so is your professionality.
Creating images that show the subject in beautiful, sensual ways will help their confidence. This, in turn, will allow you to get the most out of your subject and your photographs.
Start with the things that they like about their body. Ask them questions and work with the answers. Slowly, as the confidence and trust become stronger, work with the other areas. Evoke emotion. A person smiling can be a very sexy photograph as they feel pleasure or enjoyment.
Other times, more of a serious look can bring a sensual tone. Assess their character and work from it. Posing women across all types of photography is very similar.
Unless you feel like breaking rules and want to try something very outrageous and specific. When it comes to portraits of any kind, communication is key. You need to build up the trust between you and the subject to make them feel comfortable. This is how you photograph great moods, expressions and the tone of the image. One of the most important tools here is research. Use places such as Pinterest and other Boudoir photographer’s websites for inspiration. Practice these poses yourself to see how it affects your body.
What stands out and what disappears? Start with the easier photographs, and move towards the more risque photographs as the shoot progresses. Visual instructions are very important. The model might not understand photographic terms and might get agitated if she feels confused. Be clear, kind and understanding What holds true when posing women does not follow when posing men.
The keywords for how women want to look could be cute and pretty. This is what photographers look for when focusing on the female body’s curves. With men, they want to be seen as strong, tough, cool and tall. So how do we show these things? Well, the lenses and the perspective of the photograph play a part.
Big noses can be made smaller by using a larger focal length lens. Balding heads benefit from a lower angle.
The two things that should be focused on when photographing a man is the ‘V’ frame and jawline. The ‘V’ frame comes down to broad shoulders and a small waist. The jawline should be angular and defined for ultimate manliness. These can be extenuated with clever uses of positioning and camera angles. This article looks at these in great depth. Boudoir photography can be challenging. Photographing someone who might be nervous or uncomfortable is 50% of the battle, if not more.
Another huge trial comes down to posing the model. Capturing that natural, spontaneous look takes practice, technique and know-how.
One great asset is ‘flow posing’. This system keeps your model in motion, which helps to keep that natural look to the photographs. The idea is that you start by photographing the subject on their front. They then move to their side, then on to their back. This gives you the potential to photograph a wide variety of shots and poses. This works so well because you can take many photographers without excessive moving to and from different settings. This system keeps a good flow and demands little from your subject, allowing her to focus on that smoky, sultry look.
Boudoir photography is a more risque version of portraiture, but the same rules apply. Apertures are best used at f/8-16 as this will give you the sharpest images. It will also give you a slight blur to the background. The eye direction of your model is important. Either they look straight into the camera, or they follow the model’s nose. Every other option doesn’t work. Off-camera lighting is necessary.
This plays a big part in showing the form of the model in the best possible light (pun intended). It gives you images depth, and the shadows can be used to extenuate parts of the body. Directing your models correctly gives you the best from them, which adds to your image.
Have them turn into the camera, rather than a full on perspective. This makes their back shoulder appear lower and smaller. Making them seem smaller and thinner. Read the rest of the rules in our article here. Having boudoir photographs taken by a professional photographer can be daunting. You may find yourself excited by the idea of someone giving you direction and good, positive energy. For others, this could be a nightmare, but it shouldn’t stop you from being photographed.
You could enjoy photographing yourself. This saves you money and allowing you to take your time. This article is written by a photographer who photographed herself in a boudoir style. Through the whole project, she overcame challenges. Having to deal with focusing on an object that she would then replace with herself is one. Having a mirror behind the camera helped with positions. She had a good flow of setting up an image, photographing, checking and evaluating the image and adjusting the light and focus as necessary.
Chances are, you don’t have a studio at home. You will need to make the most out of what you do have. Most of the setting can be cropped out in post-processing or by using a closer, tighter framing. Boudoir is all about showing off what the model likes about her body, and downplaying what she doesn’t. This can be done without a huge budget and renting a professional studio or setting. This article gives you ideas and costs for setting up a boudoir shoot in your own home. Hands are a very important part of any boudoir photography session.
But a lot of people just don’t know what to do with them. Within portraiture, they can sit gently in the lap. Or even used to prop up the face, like ‘The Thinker’ by Rodin. Here we have a few great tips on using hands effectively within your photo shoots.
They can be used to give a subtle story, such as a wedding ring. Other pieces of jewellery can bring attention to the hands and further evoke emotion. The cardinal rule is ‘if it bends, bend it’. Use the hands to give off that sultry, sexy feeling.
Caressing their own skin, a touch of their lips or having them play with their hair. These can all be very powerful in boudoir photography.
Lynn Clark Boudoir photography doesn’t have to be about props and many dress changes. It is focused on the form of the model, fully clothed or scantily-clad. Believing that you need more equipment, either for your camera or for building a studio can be a setback. You can create stunning, classic images with the minimal amount of kit. This could be simply dressing a chair with a blanket or something that has a little texture. You can take quite a few different images from one set-up by changing your position, your perspective and the placing of the model.
Even by using two or three changes of outfit, you photograph a whole portfolio of 15-20 images. You just have to move around and use your creativity. Jennifer Tallerico Improving your boudoir photography knowledge takes time and practice. One important thing photographers have found from this area of photography is less is more. Do not try and go overboard with lighting, the setting or even costume changes. Boudoir photography becomes successful when the model feels at ease and gives her best.
This comes from simple set-ups, as they require less time and tinkering. It also comes from you, the photographer, giving directions with confidence. You know what is best, you have all the research and information, so put it in your work.
Set limits for yourself and for your model. Make it enjoyable for the model, and they will give you the images you want. Getting frustrated and pushing for longer shoots will produce weak images. Boudoir Lighting This helpful article goes through 5 of the best lighting patterns to use for a boudoir shoot. Either by usingnatural light, applying studio lights or a mixture of both.
Natural light is one of the most flattering forms of light. It is also easy to use. Have the model stand in front of a window. The distance depends on the harshness of the light. Stand adjacent to the window in front of the model, and photograph from a perspective a little higher than her eye level. Using one studio light and a backdrop, also known as a colourama, is also a very simple choice.
The light should be just off of the camera, as it will give you complimentary shadows. If you place the light slightly above the model, then the light will drop off. This is great for a transition on parts of the body that leave the frame. When it comes to research and looking at other photographer’s for inspiration, they might use specific terminologies.
Here is a list of the lighting terms that you might come across, and what they all mean. Chances are, you don’t have a studio at home. You will need to make the most out of what you do have. Most of the setting can be cropped out in post-processing or by using a closer, tighter framing.
Boudoir is all about showing off what the model likes about her body, and downplaying what she doesn’t. This can be done without a huge budget and renting a professional studio or setting. This article gives you ideas and costs for setting up a boudoir shoot in your own home. Natural light is a free and effective way to light your subject. Obviously, it can be used outside, but also using it in the home cancreate powerful natural images. With a little help from reflectors and flags, you can easily manipulate the light into something that you can use.
This is very cheap when it comes to all of the different types of lights. It can also be the easiest to use, once you get the hang of how the light works. Where it falls, what it bounces off and how it can be stopped are important things to look for. Jennifer Tallerico Using natural light is just one form of lighting. What if the light is falling behind, but falls short at the front of the subject? This is just one situation where you can benefit from an additional light. This could be a beauty dish, a professional soft-box studio light or even aSpeedlitee and an umbrella.
In this article, you can see the challenges faced with using two different lighting systems. Daylight is coming through the window and the photographer is using incandescent lighting from the front or side. These two lights have different colour temperatures, daylight being much bluer than the warmer incandescent lighting. Do not be intimidated by boudoir photographers who own and use humongous studios. They might have a slew of eager assistants and lighting set-ups.
But what I find is that more lights equal more problems. You can take stunning and powerful images with one light source. The benefit of using one light system is that you only need to move one. Having one means it is very easy to see where the light falls an how to adjust it.
No need to over-complicate something that should be simple, right? The focus should be on your subject. They don’t want to work on a 3-hour shoot where 80% of the time is you moving and adjusting the lights. This article/video gives you great advice for using only one light. Creative Ideas One area that your boudoir photography could really benefit from is thinking about colours. This could be complimenting the colours of the setting and the clothing worn by the model.
They could of the same colour range, by using different shades and tones of green. If you are photographing in black and white, you need to think about this too.
If the background is plain and white, you could use gels over the lights to add colour. This will help isolate the subject from the background, A model wearing black lingerie on a white sheet background is very powerful. White and white is difficult to separate. Black on black could work very well if the lighting is highlighting the curves of the model’s body. Use this colour wheel for colours that work, and ones that don’t. If you are a little stuck on inspiration, here is a huge list that will whet your appetite and fill your photographs with lots of creativity.
Post-Processing Boudoir Photographs Finding a workflow is paramount to the way you shoot and edit. This will depend on what you will do with the images. If you are planning to build a business out of the boudoir style, then you will at some point show the clients the images. Will this happen face to face? If so, this article is great for helpful tips on how to manage yourself and your images. If they are to be posted on social media, then your work might benefit from a little more editing.
Editing boudoir photographs is very similar to other forms of portraiture. There are things you need to think about before photographing the subject, and then before editing.
No software can replace missing information, so make sure you capture what you need to in the first place. The more work you do in the moment of the photo the less work you have to do in post-editing.
But, if time is a luxury, you can definitely use Lightroom to change the white balance, for example. Lightroom is a great place to store and work on your images, as and when you wish. Their keyword system lets you find things very easy. Also, their collection tool is very useful. If you are unsure how they operate, read our article. Presets for Lightroom that you can copy and paste also help make your workflow faster and easier. For more information about presets, look at our article.
You might find yourself asking “Lightroom or Photoshop?” Both are very good post-processing and editing software packages. Some might even use both. Using the library and simple interface of LR, then using PS for more dramatic changes.
Photoshop forces you to work on one image at a time, which lets you focus entirely on that image. The workflow is a little different and Photoshop can become a little confusing. You can do almost the same things in PS as you can in LR, but PS is a lot more in-depth, and not just for photographers. This article goes from colour management to how to remove bags from under eyes. If after reading this article you are even more interested in boudoir photography, maybe building it into a business is a good idea. You will need to have a designated space or a few of them that you can use as setting.
Also, a portfolio is a great place to start. Create a physical portfolio and one online, such as a website or blog. Contracts and release forms will need to be a regular part of your business. These allow you to use the images on social media or for commercial use. Create a strong business plan, research your competition and make sure your web presence is strong.
In this article, you will find all the tips you need to help your business flourish and become successful. Molly Marie A photography contract for boudoir photography is to ensure both parties retain their rights. It makes sure that neither side can do anything with the images that were not pre-discussed and agreed upon. A risk of prosecution from either side can be enforced if consent was not given. One rule for photographing people is to get a model release.
This is a contract between both parties, allowing the use of the model’s image. Most stock photography requires this if you wish to sell the images online. Read here for the other nine tips on what your photography contract needs to have.
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Model poses differ in the industry depending on the niche that you are aiming towards. The common trait that runs across all areas is an air of confidence and self assurance that jumps from each image. Strong delivery is extremely important when posing for a photographer demonstrating your professionalism and experience within the industry. Do not become complacent and constantly improve by practising and perfecting those bank of poses that work well. A clean, neat line is much preferred by designers to promote their clothing. Our photoshoot shot by a professional photographer is the perfect way to practise your poses. Simply to begin building your portfolio.
We’ve collated 50 poses along with modelling tips on how to create each position. Each tip is aimed at a specific niche along with photography to explain each pose. Our ultimate guide will guide you on where to place your model hands, legs and head. How to Master Commercial Poses Catalogue and demands poses that are simple and minimal eliminating exaggeration.
A simple bend of the knee, hand on hip or step to the side will usually suffice. It is essential to not distract from the clothing when delivering a strong range of poses. In this sector less is certainly more. Hold your physique as straight as possible with a good posture to avoid slumping and slouched positions that will not promote the clothing well and may create unwanted ripples. Smooth, slender lines will be perceived well in a commercial advert or catalogue product / campaign shot enhanced by an elongated neck, shoulders back and tilt of the head. Stand slightly diagonal, bring hair over to the right, lift your right arm to your touch hair and look to the camera. Cross your arms loosely at your waist, stand sideways slightly bending your left knee, twist your torso to face the front and tilt your head to the right.
Stand sideways and twist your torso to the camera, crossing your arms loosely over your waist, step forward slightly with your right leg and look to the camera with your head titled towards your left shoulder. Stand sideways, cross your left arm over the right letting your right arm rest on your left upper thigh, step forward slightly with your right leg and look to the camera with your head titled downwards slightly. Turn sideways and bend your left arm placing in the arch of your back. Stand straight and turn your head to the camera, tilting to the right. Cross your arms tightly just below your bust, stand straight and turn your head towards the camera. Stand straight onwards with your hands by your side, tilt your head to the left and gaze forwards.
Sitting on a chair, rest your head in your right arm, which is supported by your right bent knee. Gently place your right arm on the arch of your back bending slightly and casually rest your left arm on your bent left leg.
Sit on a stool with your legs wide. Place both hands on the edge on the seat keeping your arms straight and shoulders level. Turn your head slightly put still looking at the camera.
Leading with your left shoulder, gently cross your arms just below your bust keeping your head focused and straight. Sit back on the stool facing diagonally with your right leg bent. Gently rest your right forearm on the right thigh and place your left hand on your left thigh. This will make your torso twist aim slightly more towards the camera. Lift the chin for an elongated neck. Place both arms on the hips, cross the left leg over the right and turn the head left slightly and lift the chin whilst remaining looking at the camera. Fitness Poses to Practice The will seek individuals who are muscular and expertly toned.
Athletic brands, sports products and professional gyms will demand poses that showcase the physique. Powerful and strong stances will be desired to capture a following in awe of their figure. Lifting weights, performing press ups, sit ups and lunges or flexing their muscles will be expected of fitness models at a shoot. These model poses will showcase muscles perfectly and promote fitness. Therefore, it is essential to have a good knowledge of how gym equipment works and how to exercise, which should come naturally considering the effort involved achieving the physique.
Lift one small weight in your right and hold your left arm stretched out. Step forward into a deep lunge. Place both hands on a ball with body stretched out. Crouch into a starting runners position with left knee on the floor and your right foot on the floor. Place both hands on the floor in front and look down.
Lift two weights to your shoulders with legs wide. Stand facing the back, look over your right shoulder to face the camera holding two weights in stretched out arms. Flex your muscles by lifting but bending both arms. Face the back and place arms above your head. Lift a weight with your right arm and rest on shoulder, turn your head to the left and look at your left hand resting on your hip. Hold a press up. Stand sideways, hold a strong posture whilst placing both hands on the hips.
Rest on your forearms in a plank position. Get to Grips with High End Poses The region of fashion will demand a more artistic and striking silhouette with a powerful line. Their aim is to attract attention through a luxurious and strong aesthetic. The pose at times will be dynamic, flexible and unusual whereas other times designers will opt for a minimal yet strong vision via an elongated neck, fierce eyes and good posture. It is important to be open minded to the designers vision as you will be expected to perform an intricate move without fuss. Poses are required for elite magazines such as Vogue and Harper’s Bazaar and top designers such as Chanel and Dior.
Turn to the back and look to the camera twisting your torso to the left. Bend your left arm and place hand on hip looking intensely. Rest your right wrist on your hip.
Face backwards, turn your head to face the front twisting to the camera. Leave your right arm resting and lift your left arm to touch the side of your head. Position diagonally and step forward slightly with your right leg. Place your left arm on your hip whilst looking fiercely ahead.
Sit sideways and lift your left arm to your forehead touching your hair. Hunching slightly, turn to the camera, titling your head to the right and slightly downwards. Face the back and turn your head left to face the front putting your left arm on the bottom of your back. Tilt your head downwards. Stand diagonally and gently place your right hand towards your chin almost touching it. Position your head downwards looking intently straight ahead.
Stand diagonally, gently place your right hand on your right hip and lift left arm to touch left cheek. Turn your head to face the camera. Place right arm on left bicep and lift left arm to chin. Tilt head slightly. Tilt your head to the left and raise both arms to touch the side of the face. Place your right arm on your left bicep (leave left arm to hang effortlessly). Bend your torso back slightly whilst titling your head to the right and downwards.
Lift your left shoulder towards your face, letting your head meet it as though your are almost looking over it. Lift your left arm and gently put your thumb towards your parted mouth. Lift your right arms to your chin whilst looking longingly into the camera. Sit with legs bent, rest your arms on your knees, sit straight and turn your head to the right. Master the Art of Glamour Poses demands seductive and provocative poses to promote lingerie.
A confident model needs to be able to ooze sexiness through poses that could involve lying suggestively on the floor on your back or front, leaning against a wall or sitting on a chair. These activities seem quite normal yet it is up to the model to bring the sex appeal needed from the glamour niche. Models will be wearing very little clothing exposing a lot of flesh and therefore, it is essential to have complete body awareness and understand which angles and poses will enhance your nude areas. Ripples and folds will not be accepted, which happens to all shapes when sitting in an unflattering position. Place your right hand on your head bending the arm. Turn your head to the right and reach your left hand to almost touch your face. Push your chest forward and your bottom to the side.
Arch your back, push your chest forward and bottom backwards. Raise your left arm to rest on the top of your head and lift your right arm to touch your hair. Lie on your front resting your elbows and bend your knees looking seductively at the camera. 4. Sit on a chair with legs wide, place your right forearm on your right thigh and your left elbow on your left thigh and lean forward. Pout whilst lifting your right arm to your long flowing locks.
6. Sit sideways on a chair and place your right arm to your head and look over your shoulder. Push your chest forward and your bottom backwards. Place your right arm on your stomach and rest your head on the bent left arm. Place your right hand to gently touch your left arm.
Cross the right leg and tilt the head downwards. Lift both hands to brush against your face. Stand sideways and twist the torso pushing out your chest. Look down and close your eyes. Step forward on your left leg, push chest out and leave arms to fall behind.
Lift chin and look to the camera. Stand sideways, resting your right arm on your left. Turn your head to the front and glance to the side. Lean on a wall with your arms stretched out above your head.
Arch your back pushing out your chest. The Different Types of Model Poses Commercial: Simple, natural and minimal. A slight bend of the knee or a hand on the hip. Fitness: Powerful, athletic and strong stances. Lifting weights, lunging or performing press ups and sit ups. High Fashion: Artistic, creative and striking.
An elongated neck, fierce eyes and good posture. Glamour: Seductive, provocative and alluring. Suggestively lying on the floor/bed or up against a wall.